On the subway this morning, I was reading A.M. New York, like you’re supposed to, and I saw a blurb promoting singer/songwriter Margaret Glaspy. I like to take a chance on new music from all kinds of places, so I gave her a listen before I read the interview.
I have Indie rock on my mind because of a Chicago based podcast called Sound Opinion that a young man who works for me suggested. Kyle said it was like “Siskel and Ebert” for music. It seems the podcast is mostly about Indie rock which they are very enthusiastic about. They didn’t disagree at all about any of the people they played on the episode that I listened to, so I didn’t get the pugilistic thrill that I had watching the Chicago film critics go at it. Siskel and Ebert was the only debates about art on T.V. when I was a kid. They were passionate and fun. I cared more about film than politics, so I skipped the McGlaughlin Group, the other debate choice.
I stopped listening to rock music after college. It wasn’t intentional; it happened naturally. Partly, I moved away from Texas to Europe where dance music rules the airwaves. I preferred punk to most Indie rock as a twenty year old. I never really fell into the whole NPR rock thing as I grew older. To bolster my “real rock” bona fides, I revisited an Indie band I saw live in Denton, Texas, around 1996 that Jeremy, my friend from home, urged me to see on a visit. This morning, I enjoyed The Ballad of Railroad Jerk again for the first time in twenty years.
I went straight to the NPR Tiny Desk concert video after an internet search of Margaret Glaspy. I have always been a fan of the live cut, much to the chagrin of most everyone else I know. You learn what kind of musicians people are when they play live. I always liked the way it sounded, too. Miss Glaspy played guitar solidly, writes very good songs, and works with top rate musicians. Tim Kuhl is on drums and Chris Morrissey is holding down the bass. “You and I” is the musical standout thanks to Morrisey’s bass lines – both florid and solid like wrought iron. Shame on NPR for not including the band’s names in the YouTube description.
After I listened to the singer/songwriter with the small, powerful voice, I read the interview. It was interchangeable with all other pop or rock interviews. Always listen before you read.